趙 曼 君
CHAO MAN CHUN
臺北人，現就讀於北藝大的藝術跨域研究所。繪畫、影像、刊物製作皆為創作媒材，近期則以身體的書寫開展作品的文本。現階段作品發想多與飲食相關，以 「食」 與 「物」 作為線索，抵抗或傳承，透過行動、影像及聲音，穿梭個體與集體疊合的複數空間之中。與此同時，也意圖透過不同類型的作品，串接起無形的比喻與可見的日常，關注於視覺景象、生活物件、個體與集體之間的關係。
作品曾展演於 《圖底圖：為建築與藝術的家園尋址》，he&she space，新北市（2023）、《跑攤藝術季》，1/2 Room，彰化 (2022)、《滴水穿石》，洪荒之力工作室，苗栗(2022)、《永久(免)審查》，打開當代藝術工作站，台北 (2021) 等。 並策劃紀錄片導演馬躍比吼於《生存/抵抗》，台南美術館 (2022)、《我們與未來的距離-原住民當代藝術展覽》，台灣原住民族文化園區 (2021) 展間。
Based in Taipei, CHAO Man-Chun is currently studying in the Graduate Institute of Trans-disciplinary Arts at Taipei National University of the Arts. Her works include paintings, videos and publications. Recently, she has been investigating the idea of body writing as the primary text through which she conducts her practice. Most of the works conducted through these lines of inquiry are related to the idea of diet, and at the present stage these ideas have been explored through an interdisciplinary linking of performance, image and sound. By using “eating” and “food” as clues, she moves through the plurality of space that can emerge when the individual and collective spheres overlap. In doing so, she attempts to draw attention to the connections between invisible metaphors and visible daily life through different media and forms of creation, focusing on visual scenes, life objects, and the relationship between our individual and shared lives.
Her works have been exhibited in a number of spaces, including “Figure Ground: the becoming-home of art and architecture”, New Taipei CIty (2023), “Tsáu Thuann Art Festival”, 1/2 Room, Changhua (2022), “Di Shui Chuan Shi”, Potestas {gallery?} , Miaoli (2022), and 永久(免)審查, OCAC, Taipei (2021). In addition, she worked with the documentary director Mayaw Biho in creating his installations for “Persistence/Resistance”, Tainan Art Museum (2022), and “The Distance between Us and the Future – Taiwan Indigenous Contemporary Art”, Taiwan Indigenous People Culture Park exhibition room (2021) .
2020- 國立臺北藝術大學藝術跨域所 就讀中
Currently studying MA in Trans-disciplinary Arts
at Taipei National University of the Arts
2014 國立臺灣藝術大學美術學系 學士
National Taiwan University of the Arts, B.F.A.
群展 Group Exhibition
2023 圖底圖：為建築與藝術的家園尋址, he & she space, 新北市, 臺灣
Figure Ground: the becoming-home of art and architecture, he & she space,
New Taipei City, Taiwan
2022 跑攤藝術季, 1/2 Room, 彰化, 臺灣
Tsáu Thuann Art Festival, 1/2 Room, Changhua City, Taiwan
2021 永久(免)審查, 打開當代藝術工作站, 臺北, 臺灣
Permanent Assessment-(Free) System, OCAC, Taipei, Taiwan
2014 頻率飄移, 中山創意基地, 臺北, 臺灣
The Drifting Frequency, URS21, Taipei, Taiwan
2013 神奇縮小人, 臺北市艋舺龍山寺板橋文化廣場, 臺北, 臺灣
The Incredible Shrinking Man, Longshan Temple Organization, Taipei, Taiwan
2012 冥王星已經不是行星了, 臺北市艋舺龍山寺板橋文化廣場, 臺北, 臺灣
Pluto is no longer a planet, Longshan Temple Organization,Taipei, Taiwan
計畫 Exchange Program
2020-2021 無邊界美術館, 臺灣 – 日本
IJIEROHOU-Museum Without Border, Taiwan – Japan
駐村計畫 Art Residency
2012 漲潮•退潮, 篤行十村, 澎湖, 臺灣
High Tide•Low Tide, Penghu Duhangshi Village, Penghu, Taiwan
活動 Event
2022 傻瓜書日, 春秋書店, 臺北, 臺灣
Photobook DUMMIES Day, Athena books, Taipei, Taiwan
2020 Not Big Issue, 濕地, 臺北, 臺灣
Not Big Issue, Venue, Taipei, Taiwan
文章 Article
2020 南島魯瑪社電子報, 八月號
Luma Association Newsletter, issue August
2020 南島魯瑪社電子報, 二月號
Luma Association Newsletter, issue February
2018 林明弘「空位」：打開圍牆，通往新場域
Michael Lin: Opening
2018 夏季裡的冬季實驗：音樂X麵包的聯覺發酵
Experimental Winter in Summer
出版品 Publication
2022 「土地會黏人」- 薄膜干涉，邊介之上
Land Sticks – Thin-film Interference over Border Interface
ManManPress
2021 Take What You Need To Own The Day
2020 Lobbies
2019 On Dates
2018 Vietnam Has Stolen My Heart