鴿舍 Pigeonry
2022, 行為表演 live performance
@Potestas{Gallery?}, 苗栗 Miaoli
這件作品中，彈簧首先成為身體的延伸，與周遭環境的碰撞而製造出聲響，同時造成了行動上的箝制。
使用的彈簧物件來自於先前的作品 ceiiinosssttuv 力如伸長（那樣變化）(2022)，以拆解日常親密用品 – 床，來影射生活中各種力量的消長與相互作用。
而在這個奇異似鴿舍、半開放的鐵皮屋之中，透過彈簧這樣的中介物，顯影了身體與環境主動與被動的拉扯關係。
In this work, the springs become first and foremost an extension of the body, colliding with its surroundings to create a sound and at the same time creating a restraint of movement. The spring objects are taken from the previous work ceiiinosssttuv (As the extension, so the force), 2022.
The dismantling of the bed, an intimate everyday object, is used to reflect the waxing and waning of forces and interactions in life.
In this strange pigeon house-like (pigeonry), semi-open tin sheet house, the active and passive pulling relationship between the body and the environment is revealed through the intermediary of a spring.